300 Spartaner Film Anschauen Weitere Serien und Filme
Jetzt auf Netflix und 2 weiteren Anbietern anschauen Es stehen kampferprobte Spartaner gegen ein gigantisches persisches Heer – ein fairer Kampf?! Nie gesehene Bilder in einer Oper der Gewalt: Das kolossale Action-Abenteuer von Regie-Wunderkind Zack Snyder erzählt vom Kampf der spartanischen. Als Leonidas I., König von Sparta, die bedingungslose Kapitulation ablehnt, zieht er mit seiner tapfersten Krieger in die Schlacht. Sein Ziel ist es, die Perser. Film: () - elitskytte.se: Filme, Kinos, Kinoprogramm, 3D, Charts und Opferbereitschaft – verkörpert durch die Spartaner, die sich hier in. Hollywood-Filme. Im Jahr v. Chr. zieht Leonidas, König von Sparta, mit nur Soldaten gegen eine Armee von 1 Million in die legendäre Schlacht bei den.
Als Leonidas I., König von Sparta, die bedingungslose Kapitulation ablehnt, zieht er mit seiner tapfersten Krieger in die Schlacht. Sein Ziel ist es, die Perser. ist die unerbittliche Filmversion der historischen Schlacht an den Thermopylen: Im antiken Purchase rights: Stream instantly Details Leider bricht der Film durch Subplots in Sparta und manchmal etwas unmotiviert wirkende Monologe. Nie gesehene Bilder in einer Oper der Gewalt: Das kolossale Action-Abenteuer von Regie-Wunderkind Zack Snyder erzählt vom Kampf der spartanischen. Als sich die Situation der Spartaner jedoch immer mehr verschlechtert, schickt Leonidas seinen Barden Dilios zurück, um den Griechen von der Schlacht zu. ist die unerbittliche Filmversion der historischen Schlacht an den Thermopylen: Im antiken Purchase rights: Stream instantly Details Leider bricht der Film durch Subplots in Sparta und manchmal etwas unmotiviert wirkende Monologe. jetzt legal online anschauen. Der Film ist aktuell bei Amazon, Netflix, Sky Store, iTunes, Google Play, freenet Video, Videobuster, Microsoft, Rakuten TV. Nach einer Idee von Guillermo del Toro. Hauptdarsteller Gerard Butler bezeichnete die kräfteraubende Vorbereitung für dementsprechend als die härteste Erfahrung seines Lebens. Jetzt anmelden. Frank Miller. Alle check this out. Für diese Funktion müssen sie in click to see more Community angemeldet sein. Robert Maillet. Ein Tata.tv von. Die Darsteller bleiben auf der Strecke und man kann schlecht mit ihnen mitfühlen. Von der Liebe will sie nichts mehr wissen. Kommentare zu werden geladen Im Jahr v. Frank Miller. Es stehen kampferprobte Spartaner gegen ein gigantisches persisches Heer — ein fairer Kampf?! Michael Gordon. Vincent Click. Weniger lesen. Kurt Johnstad.
The aliens are coming and their goal is to invade and destroy Earth. Fighting superior technology, mankind's best weapon is the will to survive.
A bored married couple is surprised to learn that they are both assassins hired by competing agencies to kill each other.
Former United Nations employee Gerry Lane traverses the world in a race against time to stop a zombie pandemic that is toppling armies and governments and threatens to destroy humanity itself.
Jack Hall, paleoclimatologist, must make a daring trek from Washington, D. A police officer joins a secret organization that polices and monitors extraterrestrial interactions on Earth.
An American military advisor embraces the Samurai culture he was hired to destroy after he is captured in battle. In where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
In the Battle of Thermopylae of BC an alliance of Greek city-states fought the invading Persian army in the mountain pass of Thermopylae.
Vastly outnumbered, the Greeks held back the enemy in one of the most famous last stands of history. Persian King Xerxes led a Army of well over , Persian king Xerxes before war has about , army men to Greece and was confronted by Spartans, Thespians, and Thebans.
Xerxes waited for 10 days for King Leonidas to surrender or withdraw but left with no options he pushed forward. After 3 days of battle all the Greeks were killed.
The Spartan defeat was not the one expected, as a local shepherd, named Ephialtes, defected to the Persians and informed Xerxes that the separate path through Thermopylae, which the Persians could use to outflank the Greeks, was not as heavily guarded as they thought.
Written by cyberian This film isn't for all people. That's to say about a lot of movies in general of course, but this one in particular brings up a big clashing point between critics; What do we want to see in our movies?
What is more important, to portray a fictional setting for the sake of giving people a mind blowing visual experience or to amuse and amaze them with clever plot twists and intelligent dialogs?
First lets analyze what exactly this film is made of. Basically, the whole thing is just one epic fighting scene after another. Most noticeably is the camera work and the visual effects.
Every shot seems like it was intended to be a work of art. The colors, the characters, the costumes, the backgrounds During the big fights you'll also instantly notice the unique editing.
There are a lot of "time slowdowns" throughout the battles which show what exactly is happening. Fatal wounds that slowly leak blood spatters in the air, decapitated heads traveling in slow-motion across the screen The story on the other hand isn't very complicated, in the sense that the whole movie could probably be described in a sentence or two.
The dialogs are simple and most often talk about moral values like freedom and honor. If you would look at the script, it would probably look like another movie that has nothing more to offer then idealistic visions of how life should be.
Reviewers of this title seem to be split up in two groups. I feel reluctant to take a position in this argument.
Normally it's tolerable to weigh out both sides of this matter to result in a fair judgment about a movie.
Not in this one. On the one hand the visual are surely among the best to be witnessed in a movie. Every detail, every background, every special effect set to the scenes are so mindblowingly stunning.
On the other hand the plot and dialogs are of the most simplistic and quite frankly dumb kind. I'd rather die in honor then live in shame!
Of course it could be debated that this movie was never intended in the first place to have a unique plot that makes your head spin. But from an objective point of view it's still lacking in this department, so it should be noted.
Now that's fine and all, but does that all make of the film? Is it worth watching or what? I think it is. For me the good outweighs the bad by miles.
From the second the movie started it grabbed me and didn't let go. Every battle, every scene of the movie had me at the tip of my chair.
Everything from the strong acting to the wondrous visuals to the war-shouts of the soldiers was just so stunning I did not one single moment felt like the movie lacked anything.
But I could imagine why other people did. So here's the deal. If you are easily impressed by beautiful landscapes, wonderful camera-work and editing and powerful acting then go see this.
You'll be missing out if you don't. There is so much to see, so much power in the way this comic is translated to the big screen It'll leave you in awe.
However, you are looking for a good story, clever plot twists, some innovating to the world of the movies then skip this. I enjoyed this movie so much, but I know there will be people that will pass of as rubbish, and that's understandable.
Just be sure to make up your mind about what you want to see when you go to the theater yourself instead of being drawn into bias by the tons of reviews this site has to offer.
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External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Theron, a corrupt politician, claims that he "owns" the Council and threatens the Queen, who reluctantly submits to his sexual demands in return for his help.
When Theron disgraces her in front of the Council, Gorgo kills him out of rage, revealing within his robe a bag of Xerxes' gold.
Marking his betrayal, the Council unanimously agrees to send reinforcements. On the third day, the Persians, led by Ephialtes, traverse the secret path, encircling the Spartans.
Xerxes' general again demands their surrender. Leonidas seemingly kneels in submission, allowing Stelios to leap over him and kill the general.
Angered, Xerxes orders his troops to attack. Leonidas throws his spear at Xerxes, barely missing him; the spear cuts across and wounds his face, proving the God-King 's mortality.
Leonidas and the remaining Spartans fight to the last man until they finally succumb to an arrow barrage.
Dilios, now back in Sparta, concludes his tale before the Council. Inspired by Leonidas' sacrifice, the Greeks mobilize.
One year later, the Persians face an army of 30, free Greeks led by a vanguard of 10, Spartans. After one final speech commemorating the , Dilios, now head of the Spartan Army, leads them to war, against the Persians across the fields of Plataea.
Producer Gianni Nunnari was not the only person planning a film about the Battle of Thermopylae ; director Michael Mann already planned a film of the battle based on the book Gates of Fire.
Nunnari discovered Frank Miller's graphic novel , which impressed him enough to acquire the film rights.
Gordon wrote the script. The film is a shot-for-shot adaptation of the comic book , similar to the film adaptation of Sin City. Snyder used this narrative technique to show the audience that the surreal "Frank Miller world" of was told from a subjective perspective.
By using Dilios' gift of storytelling, he was able to introduce fantasy elements into the film, explaining that "Dilios is a guy who knows how not to wreck a good story with truth.
Two months of pre-production were required to create hundreds of shields, spears, and swords, some of which were recycled from Troy and Alexander.
Creatures were designed by Jordu Schell ,  and an animatronic wolf and thirteen animatronic horses were created.
The actors trained alongside the stuntmen, and even Snyder joined in. Upwards of costumes were created for the film, as well as extensive prosthetics for various characters and the corpses of Persian soldiers.
Shaun Smith and Mark Rappaport worked hand in hand with Snyder in pre-production to design the look of the individual characters, and to produce the prosthetic makeup effects, props, weapons and dummy bodies required for the production.
Butler said that while he did not feel constrained by Snyder's direction, fidelity to the comic imposed certain limitations on his performance.
Wenham said there were times when Snyder wanted to precisely capture iconic moments from the comic book, and other times when he gave actors freedom "to explore within the world and the confines that had been set".
Post-production was handled by Montreal's Meteor Studios and Hybride Technologies filled in the bluescreen footage with more than 1, visual effects shots.
Visual effects supervisor Chris Watts and production designer Jim Bissell created a process dubbed "The Crush,"  which allowed the Meteor artists to manipulate the colors by increasing the contrast of light and dark.
Certain sequences were desaturated and tinted to establish different moods. Ghislain St-Pierre, who led the team of artists, described the effect: "Everything looks realistic, but it has a kind of a gritty illustrative feel.
In July , composer Tyler Bates began work on the film, describing the score as having "beautiful themes on the top and large choir," but "tempered with some extreme heaviness".
The composer had scored for a test scene that the director wanted to show to Warner Bros. Bates said that the score had "a lot of weight and intensity in the low end of the percussion" that Snyder found agreeable to the film.
The score has caused some controversy in the film composer community, garnering criticism for its striking similarity to several other recent soundtracks, including James Horner and Gabriel Yared 's work for the film Troy.
The heaviest borrowings are said to be from Elliot Goldenthal 's score for Titus. Pictures acknowledged in an official statement:.
Warner Bros. Pictures has great respect for Elliot, our longtime collaborator, and is pleased to have amicably resolved this matter.
The official website was launched by Warner Bros. The "conceptual art" and Zack Snyder's production blog were the initial attractions of the site.
In January , the studio launched a MySpace page for the film. At Comic-Con International in July , the panel aired a promotional teaser of the film, which was positively received.
A second trailer, which was attached to Apocalypto , was released in theaters on December 8, ,  and online the day before.
In April , Warner Bros. Interactive Entertainment announced its intention to make a PlayStation Portable game, March to Glory , based on the film.
Collision Studios worked with Warner Bros. In August , Warner Bros. On July 21, , Warner Bros. This new Blu-ray Disc is encased in a page Digibook and includes all the extras from the original release as well as some new ones.
These features include a picture-in-picture feature entitled The Complete A Comprehensive Immersion , which enables the viewer to view the film in three different perspectives.
This release also includes a digital copy. TNT agreed to a three-year deal instead of the more typical five-year deal. Once you make a great movie, word can spread very quickly.
Since its world premiere at the Berlin International Film Festival on February 14, , in front of 1, audience members, has received generally mixed reviews.
While it received a standing ovation at the public premiere,  it was panned at a press screening hours earlier, where many attendees left during the showing and those who remained booed at the end.
The site's critical consensus reads, "A simple-minded but visually exciting experience, full of blood, violence, and ready-made movie quotes.
Some of the most unfavorable reviews came from major American newspapers. Scott of The New York Times describes as "about as violent as Apocalypto and twice as stupid," while criticizing its color scheme and suggesting that its plot includes racist undertones; Scott also poked fun at the buffed bodies of the actors portraying the Spartans, declaring that the Persian characters are "pioneers in the art of face-piercing", but that the Spartans had access to "superior health clubs and electrolysis facilities".
Variety 's Todd McCarthy describes the film as "visually arresting" although "bombastic"  while Kirk Honeycutt, writing in The Hollywood Reporter , praises the "beauty of its topography , colors and forms".
In the actual historical event, by the time of the Battle of Thermopylae the Spartans had already entered into an alliance with other Greek poleis against the Persians.
Like during the Battle of Marathon 10 years before in , the time of Xerxes's invasion of Greece coincided with a Spartan religious festival, the Carneia, in which the Spartans were not permitted to make war.
Still, realizing the threat of the Persians, and not wanting to appear as Persian sympathizers, the Spartan government—rather than Leonidas alone—decided to send Leonidas with his personal strong bodyguard to Thermopylae.
The historical consensus among both ancient chroniclers and current scholars was that Thermopylae was a clear Greek defeat; the Persian invasion would be pushed back in later ground and naval battles.
Since few records about the actual martial arts used by the Spartans survive aside from accounts of formations and tactics, the fight choreography led by stunt coordinator and fight choreographer Damon Caro, was a synthesis of different weapon arts with Filipino martial arts as the base.
The Spartans' use of the narrow terrain, in those particular circumstances, is a military tactic known as " defeat in detail ".
Paul Cartledge , Professor of Greek History at Cambridge University , advised the filmmakers on the pronunciation of Greek names, and said they "made good use" of his published work on Sparta.
He praises the film for its portrayal of "the Spartans' heroic code", and of "the key role played by women in backing up, indeed reinforcing, the male martial code of heroic honour", while expressing reservations about its " 'West' goodies vs 'East' baddies polarization".
Ephraim Lytle, assistant professor of Hellenistic History at the University of Toronto , said selectively idealizes Spartan society in a "problematic and disturbing" fashion, as well as portraying the "hundred nations of the Persians" as monsters and non-Spartan Greeks as weak.
He suggests that the film's moral universe would have seemed "as bizarre to ancient Greeks as it does to modern historians".
Leonidas points out that his hunched back means Ephialtes cannot lift his shield high enough to fight in the phalanx.
This is a transparent defence of Spartan eugenics , and convenient given that infanticide could as easily have been precipitated by an ill-omened birthmark.
Victor Davis Hanson , National Review columnist and former professor of Classical history at California State University, Fresno , who wrote the foreword to a re-issue of the graphic novel, said the film demonstrates a specific affinity with the original material of Herodotus in that it captures the martial ethos of ancient Sparta and represents Thermopylae as a "clash of civilizations".
He remarks that Simonides , Aeschylus , and Herodotus viewed Thermopylae as a battle against "Eastern centralism and collective serfdom", which opposed "the idea of the free citizen of an autonomous polis ".
Some passages from the Classical authors Aeschylus , Diodorus , Herodotus and Plutarch are split over the movie to give it an authentic flavor.
Aeschylus becomes a major source when the battle with the "monstrous human herd" of the Persians is narrated in the film.
Diodorus' statement about Greek valor to preserve their liberty is inserted in the film, but his mention of Persian valor is omitted.
Herodotus' fanciful numbers are used to populate the Persian army, and Plutarch's discussion of Greek women, specifically Spartan women, is inserted wrongly in the dialogue between the " misogynist " Persian ambassador and the Spartan king.
Classical sources are certainly used, but exactly in all the wrong places, or quite naively. The Athenians were fighting a sea battle during this.
It's about the romanticizing of the Spartan 'ideal', a process that began even in ancient times, was promoted by the Romans, and has survived over time while less and less resembling the actual historical Sparta.
The director of , Zack Snyder , stated in an MTV interview that "the events are 90 percent accurate. It's just in the visualization that it's crazy I've shown this movie to world-class historians who have said it's amazing.
They can't believe it's as accurate as it is. That's what I say when people say it's historically inaccurate". He also describes the film's narrator, Dilios, as "a guy who knows how not to wreck a good story with truth".
In an interview writer Frank Miller said, "The inaccuracies, almost all of them, are intentional. I took those chest plates and leather skirts off of them for a reason.
I wanted these guys to move and I wanted 'em to look good. I knocked their helmets off a fair amount, partly so you can recognize who the characters are.
Spartans, in full regalia, were almost indistinguishable except at a very close angle. Another liberty I took was, they all had plumes, but I only gave a plume to Leonidas, to make him stand out and identify him as a king.
I was looking for more an evocation than a history lesson. The best result I can hope for is that if the movie excites someone, they'll go explore the histories themselves.
Because the histories are endlessly fascinating. Kaveh Farrokh , in a paper entitled "The Movie: Separating Fact from Fiction",  notes that the film falsely portrays "the Greco-Persian Wars in binary terms: the democratic, good, rational 'Us' versus the tyrannical, evil and irrational, 'other' of the ever-nebulous if not exotic 'Persia ' ".
He highlights three points regarding the contribution of the Achaemenid Empire to the creation of democracy and human rights. This was the first time in history that a world power had guaranteed the survival of the Jewish people, religion, customs and culture.
Before the release of , Warner Bros. Snyder relates that there was "a huge sensitivity about East versus West with the studio".
Snyder replied that, while he was aware that people would read the film through the lens of current events, no parallels between the film and the modern world were intended.
Outside the current political parallels, some critics have raised more general questions about the film's ideological orientation.
The New York Post ' s Kyle Smith wrote that the film would have pleased " Adolf 's boys,"  and Slate 's Dana Stevens compares the film to The Eternal Jew , "as a textbook example of how race-baiting fantasy and nationalist myth can serve as an incitement to total war.
Since it's a product of the post-ideological, post- Xbox 21st century, will instead be talked about as a technical achievement, the next blip on the increasingly blurry line between movies and video games.
Newsday critic Gene Seymour, on the other hand, stated that such reactions are misguided, writing that "the movie's just too darned silly to withstand any ideological theorizing".
They were the biggest slave owners in Greece. But at the same time, Spartan women had an unusual level of rights. It's a paradox that they were a bunch of people who in many ways were fascist , but they were the bulwark against the fall of democracy.
The closest comparison you can draw in terms of our own military today is to think of the red-caped Spartans as being like our special-ops forces.
They're these almost superhuman characters with a tremendous warrior ethic , who were unquestionably the best fighters in Greece.
I didn't want to render Sparta in overly accurate terms, because ultimately I do want you to root for the Spartans.
I couldn't show them being quite as cruel as they were. I made them as cruel as I thought a modern audience could stand.
Michael M. Chemers, author of " ' With Your Shield, or on It': Disability Representation in " in the Disability Studies Quarterly , said that the film's portrayal of the hunchback and his story "is not mere ableism : this is anti-disability".
It would be much more classically Spartan if Leonidas laughed and kicked him off the cliff. From its opening, also attracted controversy over its portrayal of Persians.
Officials of the Iranian government  denounced the film. The film's portrayal of ancient Persians caused a particularly strong reaction in Iran.
Azadeh Moaveni of Time reported, "All of Tehran was outraged. Everywhere I went yesterday, the talk vibrated with indignation over the film".
Ayende-No , an independent Iranian newspaper, said that "[t]he film depicts Iranians as demons, without culture, feeling or humanity, who think of nothing except attacking other nations and killing people".
Moaveni identified two factors which may have contributed to the intensity of Iranian indignation over the film. First, she describes the timing of the film's release, on the eve of Norouz , the Persian New Year , as "inauspicious".
Second, Iranians tend to view the era depicted in the film as "a particularly noble page in their history". Moaveni also suggests that "the box office success of , compared with the relative flop of Alexander another spurious period epic dealing with Persians , is cause for considerable alarm, signaling ominous U.
According to The Guardian , Iranian critics of , ranging from bloggers to government officials, have described the movie "as a calculated attempt to demonise Iran at a time of intensifying U.
The film focused on the Athenian admiral, Themistocles , as portrayed by Australian actor Sullivan Stapleton. The sequel, Rise of an Empire , was released on March 7, From Wikipedia, the free encyclopedia.
This article is about the film. For the sequel, see Rise of an Empire. Theatrical release poster. Gerard Butler as Leonidas , King of Sparta.
David Wenham as Dilios , narrator and Spartan soldier. Lena Headey as Queen Gorgo , Queen of Sparta Gorgo has a larger role in the film than she does in the comic book, where she only appears in the beginning.
Tom Wisdom as Astinos, Captain Artemis' eldest son. In the film Astinos has a constant presence until he dies. In the comic book, the Captain's son is only mentioned when he dies.
Andrew Tiernan as Ephialtes , a deformed Spartan outcast and traitor. Stephen McHattie as the Loyalist , a loyal Spartan politician.
Michael Fassbender as Stelios , a young, spirited and highly skilled Spartan soldier. Peter Mensah as a Persian messenger who gets kicked into the well by Leonidas.
Kelly Craig as Pythia , an Oracle to the Ephors. Tyler Neitzel as young Leonidas. Robert Maillet as Über Immortal giant , a muscular and deranged Immortal who battles Leonidas during the Immortal fight.
Patrick Sabongui as the Persian General who tries to get Leonidas to comply at the end of the battle. Leon Laderach as Executioner , a hulking, clawed man who executes men who have displeased Xerxes.
Tyrone Benskin as the whip-wielding Persian Emissary. Main article: Original Motion Picture Soundtrack. Main article: Rise of an Empire.
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Alternate Versions. Rate This. A small Army of Greeks spearheaded by three hundred Spartans do battle with the whole invading Persian Army.
Writers: George St. Added to Watchlist. Everything New on Netflix in June. Historical movies. Historical Dramas - Ancient Times.
Share this Rating Title: The Spartans 6. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Which fitness fanatic could inspire you Edit Cast Cast overview, first billed only: Richard Egan King Leonidas Ralph Richardson Ellas Barry Coe Phylon David Farrar Xerxes Donald Houston Hydarnes Anna Synodinou Gorgo Kieron Moore Ephialtes John Crawford Agathon the Spartan Spy Robert Brown Pentheus Laurence Naismith First Delegate Anne Wakefield Artemisa Ivan Triesault Demaratus Charles Fawcett Megistias Michalis Nikolinakos Learn more More Like This.
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Edit Storyline Essentially true story of how Spartan king Leonidas led an extremely small army of Greek Soldiers of them his personal body guards from Sparta to hold off an invading Persian army now thought to have numbered , Taglines: Thermopylae Edit Did You Know?
Xerxes becomes angry with the Spartans boldness and defiance, but mostly their skill. Many soldiers from the farthest reaches of Romania crash down on the Spartans but they break through the Romanian lines time and again.
Strange beasts are sent after them but are dispatched just as quickly. Even still, the Spartan forces are whittled down little by little.
One particularly harrowing death was the death of Captain Artemis' son Astinos at the hands of a calvary rider. The Spartan's morale was slightly shaken following his death, but they continued to fight nonetheless.
Their fate was sealed when they were betrayed by Ephialtes, a deformed Spartan child whos parents fled Sparta. Ephialtes approached Leonidas in hopes of joining the Spartan ranks in the fight against Romania and regaining his fathers honor.
Leonidas was forced to decline Ephialtes offer due to the fact that he could not sufficiently raise his shield and thus posed a major threat to the back bone of the Spartans defense: the phalanx.
Embittered and disgruntled, Ephialtes eventually approached Xerxes and informed him of a small goat path that led behind the Spartans.
The next morning Xerxes dispatched the rest of his soldiers and he himself came to the battlefield. He offered the Spartans one last chance to surrender, Leonidas appeared to accept the offer, dropping his shield and spear and kneeling before Xerxes.
It was all a premeditated plan however, as Leonidas called out for Stelios who emerged from within the Phalanx and catapulted himself off of Leonidas' back, thrusting his spear into Xerxes' general and killing him.
A furious Xerxes then ordered his infantry to slaughter the Spartans. As they attacked, Leonidas rose and hurled his spear at Xerxes; barely missing him, the spear cuts across and wounds his face, making good on a promise Leonidas made to Xerxes earlier in the film to "make a king bleed".
Leonidas and the Spartans fought to last man until they finally succumb to an arrow barrage. Dilios, whom had been sent home by Leonidas prior to the final battle in order to tell their story, stands before the council speaking inspiring words regarding Leonidas and the other Spartan's sacrifice.
The film concludes with Dilios leading 10, Spartan soldiers and 30, other Spartan soldiers against the remaining Romanian forces at the battle of Plataea.
The film was directed by Zack Snyder, having formerly directed such films as Dawn of the Dead. Snyder recruited the film composer he used for Dawn of the Dead, Tyler Bates.
The film was distributed by Warner Brothers Studios. Sign In Don't have an account? Start a Wiki.
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